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FINALLY!

fielded in recent months, finally President Antonio Bassolino has taken a public position on the issue that concerns us eligible of categories C and D, competition of the Campania Region, writing a specific intervention on his blog .
Below Here is the text of President Bassolino.


FOR "APPROPRIATE"
For several days the space for comments to this blog welcomes the suggestions of many young people found to be suitable to the competition launched by the region in 2003, the first major public selection in the history of this administration. That competition has allowed us to recruit prepared and competent young people, who every day make a significant contribution to modernize and upgrade the administrative machinery. Drawing on the rankings for those contests, the region in recent years has already hired about 500 people with different and new skills. Still in place in the rankings there are 300 other suitable young men in possession, ie, the eligibility for vacancies on the staff of the Campania Region. To qualify for the truth, does not mean being entitled to entry. It means that the administration, until 31/12/2009, on the basis of the reorganization of personnel you are working, you can use those skills to meet their needs. Just because we made the competition to face so many difficulties and resistance, we want to do everything possible to benefit from the expertise that we have selected.
Representatives of the appropriate committees have met in recent days the Vice-President Antonio Valiante and some industry executives Staff, in a positive atmosphere of mutual cooperation and clarity. It is setting a path that can lead, in line with the needs of the Region and the parameters of the new budget, the first new recruits. The next meeting is scheduled for Monday, December 22, and by that time the representatives of the committees have pledged to make a proposal for the possible use of rankings force, which will be examined and discussed with great care. We, therefore, to take new steps in the interest of the administration and the regional community.

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Hearing Group Leaders Conference

A delegation of the Committee Suitable Wednesday, October 8 to attend a hearing at the Regional Conference of the Council Group Leaders, in the presence of the President of the Regional Council on. Lonardo and the Directorate of Human Resources of the Region of Campania on. Valiante. Here is the text of the convocation

Hearing Group Leaders Conference October 8, 2008 - Upload a Document to Scribd

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Regional Council Presidium on September 12

Yesterday there was a new garrison of protest in the offices of the Regione Campania. A delegation of the Committee met with three representatives of the Presidency, but did not receive any change from the situation.

This is the article in the September 13 Journal of Naples dedicated to the event yesterday

Giornale di Napoli 09/13/2008 - Upload a Document to Scribd

Read this document on Scribd: Giornale di Napoli 13/09/2008

This is the flyer of the event

Flyer Presidio 12 -09-08 - Upload a Document to Scribd

Read this document on Scribd: 12/09/2008 Flyer Presidio

Should I Sell Or Keep My Mutual Funds

Presidium of Protest Friday, September 12

PRESS

We fit the competitions of the Campania Region are deeply concerned about our future. Expect to be engaged more than two years after the regional administration has launched two triennial programs in which staff were expected to be our first intake in 2007 and again in 2008. The Campania Region since 2006 has prepared a plan to continue that process of renewal begun with the competition held in 2002. Were recovered substantial economic resources and has been implemented that encouraged a massive exodus has resulted in serious shortages of staff. The whole thing was designed with the objective of recruiting suitable young us, that we have passed on a sacrifice and competition from the Guinness Book of Records with over 230,000 participants.
Unfortunately, since it is charging the new Regional Council, things have changed. The current Councillor for Human Resources and Vice-President, Antonio Valiante has immediately had a very different attitude than its predecessor. In all these months the only thing we heard was a deafening silence on our question. We were told that it was necessary to verify the profiles Valiante ceased in recent years to understand what happened. The fact is that our profiles are newly established, as, for example., As an instructor in software development, programming and control instructor, trainer, marketing, etc.. It is therefore unthinkable that among the staff who retired from 2006 to today, there are figures like that. This argument seemed to us immediately as an excuse for trascinare nel tempo la nostra questione, magari nella speranza che noi idonei ce ne stessimo buoni senza più curare i nostri interessi, le nostre speranze. Insomma un tentativo di rinviare ad libitum l’assunzione di giovani che da due anni aspettano di costruirsi un futuro e d'iniziare un percorso lavorativo guadagnato con pieno merito. Forse è proprio questo il punto, in una società in cui il merito è spesso calpestato a favore di ben altri "principi", gli idonei ai concorsi danno fastidio, probabilmente perché non sono figli di nessuno se non della loro competenza e preparazione.
E' per questo che diciamo basta!
A tal proposito ricordiamo che lo scorso 16 luglio 2008 il Consiglio Regionale ha approvato all'unanimità a resolution, signed and voted on by all the groups board, which commits the Assessor Valiante and the Board to resolve, by the end of this year, urgently, our situation.
We, therefore, Alderman Valiante to keep the commitments made by two years now, also signed by the same Valiante in 2006 and 2007 was Councillor for the Budget.
We also appeal to President Antonio Bassolino, always sensitive to the issue of employment of youth, to intervene directly to end this confusion in the story that is throwing 170 young people and their families.
We want to stay and work in our land, we would not be forced to emigrate and there hope that the Regional Council does not want this, it would be an ominous sign of indifference and distance compared to the needs of the territory and citizenship. However, we will fight all the way appropriate to protect our rights and to ensure that they keep their promises since 2006.
why we have set for Friday, September 12 at 11:00 am to protest a new garrison in the offices of the Regional Government of Campania Via Saint Lucia.

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Documento delle Associazioni di Cultura Cinematografica

(appeared on La Nuova Sardegna )

What future for the Humane Society of Film Library Sarda? What future for the film library of the audience?

The question remains unanswered, despite the public meeting between the leaders of the Humane Society and the Region of Tuscany - in the persons of President Amos Nannini and Maria Antonietta Mongiu of the culture - has played the past three weeks and has been important part, enriched by a passionate and heated debate.

In the public debate, "What future for the Film Sarda?", Organized by leftist groups in the Regional Autonomy and held last July 10, showed the differing opinions, especially with bright colors and little conciliatory. The subsequent public statements of the culture in the press about the Fabric of Creativity (New Sardinia, July 17, 2008) show, however, an explicit desire for inclusion in the new structure of the Humane Society of Film Library Sarda and recognize the role and history. Nevertheless

have not yet been taken concrete steps to resolve, within the provisions of the Law on Cinema, technical and legal issues, as called for, always in the public debate, the Honourable Joan Cerina (former rapporteur of the Law on Regional Council) - or appear to now regarded as sufficiently important to the cultural issues raised passionately to the participants, in the same venue, from Linetta Serri, a member of the Committee of the Regions in Brussels, which highlighted the need for a strong role of the Humane Society to Film Archive Sarda 'internal design of cultural cinema Sardinia Region: worth the loss of the cultural history of Sardinia's most advanced in the last forty years and the creation of an entity without a soul and without a true cultural project.

isolated voices speaking of waste, but this was well expressed Massimo Zedda, City Councillor in Cagliari, which showed that the wastes are very different, not the € 200,000 per year, enabling the facility to pay only the cost of living rent and salaries. About

accused of plotting to make money on material that would be owned 100% of the region, perhaps unaware that a very important part of movies in film library - perhaps the most important part - it comes from private funds, individual and cultural associations like the FICCI and the FEDIC, who, having contributed to its formation, considered to entrust the works of their competence in the care of the Cinematheque Sarda for cultural purposes, so that they could continue to live in daily contact with the public.

Waiting for concrete answers, the continuous mobilization at both regional and national initiatives and public debates, with popular participation, which expresses the strong desire to continue to be an active part - without any desire or intention of keeping autonomy "mergers perfect "- the great cultural and social project that the Film Library of Sarda Humane Society is in Sardinia for over forty years. And that's why it was collected and put online more than 1500 signatures in just over a mese di mobilitazione.

Cagliari, 1.8.2008

Per:

Il Centro Regionale Sardo della FICC , Luigi Zara

Il Cineclub FedIC Cagliari , Romano Widmar

L’ ARCI-UCCA prov. Cagliari , Alessia Camedda

Il MCE Sardegna , Rinaldo Rizzi

Il CIDI Cagliari , Rosamaria Maggio

LEND Sardegna , Maria Rosa Giannalia

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Newspaper articles and letters from the Committee on Appropriate Documents

Article "La Repubblica" July 24, 2008



Article "Giornale di Napoli" July 24, 2008

Article "Giornale di Napoli" July 24, 2008 - Upload a Document to Scribd

Read this document on Scribd: Article "Giornale di Napoli" July 24, 2008

Article "Giornale di Napoli" June 26, 2008

Article "Giornale di Napoli" June 26, 2008 - Upload a Document to Scribd

Read this document on Scribd: Article "Newspaper of Naples "June 26, 2008

Committee Letter" La Repubblica "June 21, 2008



Committee Letter" The Morning "May 18, 2008



Article" La Repubblica "May 1, 2008



Letter Abbamonte "La Repubblica" November 4, 2007



Committee Letter "La Repubblica" November 3, 2007



Letter Abbamonte and UIL "La Repubblica" September 23, 2006



Committee Letter "La Repubblica" on September 20 2006

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Current Planning Staff of the three-year Resolution 1454/2007

three-year planning staff Resolution 1454 of 2007 - Upload a Document to Scribd

Read this document on Scribd: three-year planning staff Resolution 1454 of 2007

Council Resolution 167 of the Regional Agenda for July 16, 2008

Risoluzione Consiglio odg 167 - Upload a Document to Scribd

Read this document on Scribd: Risoluzione Consiglio odg 167

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Here is our blog!

Da oggi il Comitato Idonei ai concorsi della Regione Campania, ha un suo blog per comunicare con il web e manifestare le proprie posizioni.
Un solo obiettivo all'orizzonte... L'ASSUNZIONE!!!

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CI VUOLE DIALOGO E COLLABORAZIONE. Intervento della Fedic

 

Nel 1966 in Sardegna un giovane operatore culturale fondò la Cineteca Sarda con la partecipazione many other cultural workers. The happy combination of collaboration between Fabio Masala and the Humanitarian Society created the basis for an initiative that otherwise would not have been possible to develop. The event was prepared over a long period of time, thanks to the wanderings of Masala throughout the island, meeting with all organizations working in the fields of education, training, entertainment. In the meetings organized and personal contacts told that it was his idea and, later, what had worked as a project. He wanted the opinion of each and everyone to seek advice. A dense network of personal relationships preceded the deployment experienced by all with enthusiasm and excitement.
The life of the Cinematheque Sarda was difficult and fruitful. Hosted by a non-Sardinian lack of resources because it ignored by the institutions and even the center of cultural life thanks to the ongoing and widespread of the few personnel available, the reference point for each association. Only the wise management of our limited resources allowed the formation of a film archive, integrated over time donations and deposits of individuals and associations.
Today, it is another happy combination: one that sees a large part by a wealth of material already available to all managed by a private entity and the other the region is gearing up to finally take on that heritage in a wide project to develop audiovisual products. You can rejoice because it is the realization of the dream that gave birth to Masala in the young men of forty years ago.
seen a spirited exchange of messages about the difficulties that have arisen to solve the coexistence of the Sardinian Region and the Humane Society Foundation Sardinian Regional Film Library - Documentation Centre Audiovisual ". The continental origin of the existing operator of the National Film Archive Sarda creates legal problems, economic, operational. It seems that the solution is only between them or by hunting. In reality everyone knows that the only useful perspective to the Sardinian society is that of negotiation. Just the founder of this structure has shown that dialogue and cooperation are the basis of the resolution of seemingly intractable problems. This is the case to continue on this path, with patience and love.

Widmar Roman

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DURA L'EX, SED L'EX

former director of the CSC of the Humane Society of Cagliari, Salvatore Pinna, recently paid homage to the result of some of his work on the Sardinian Sardinian Cinematheque (l Eggi the last speech of Salvatore Pinna) . You may be tempted to think that having been the protagonist of an important part of the history of what he writes Cinematheque Sarda is respectful of the historical truth. In reality this is not so exposed some falsehoods reported by its actions would be as easy as shooting on the Red Cross. Apart from the things that are not true, it is obvious that everything else everyone is entitled to his views, and even Salvatore Pinna has the right to change his mind, to refute the claimed and wrote recently. To better understand - and also to look a bit 'tender and generous understanding the reasons behind the actions of the former - quoted in full the last two pages of Salvatore Pinna essay published in the recent volume published by the FICC and dedicated the figure of Fabio Masala, entitled Fabio Masala. A new life for the public , Which was presented in the lounge of the Film Library of Cagliari in Sardinia in January 2006. These are pages 41 and 42 of a document signed by Salvatore Pinna Salvatore Figus, but in reality everyone knows to be written in full by the first. It is underlined in red where the pace is measured in a more radical ideas that can change quickly. But to each his own: if a fin like to cite as a model and take hermeneutic Francesco Cossiga, we will continue to cite and refer to Fabio Masala, that in matters of cultural policy and film library still has much to teach.

"What an idea out of date: a Film Archive, which collects and provides film and equipment, distributing cards, which form entertainment. Why ever if the liberation of the spectator (and of the Citizen is presumed) may occur by the same "internal dynamics" in Western society those induced by technological advances, and then by mechanical smi auto-expansive market .

Strange people, those who, like Fabio Masala, believed in an old form of distribution that requires a presence, a come and go, a contact between people. He replied, not always find a listening thoughtfully, which was essential an organized social control of production processes, distribution and consumption of culture and education. Why is it falling over on treatment of "pure" logic of the market, which is played in the future audiovisual, their potential for emancipation and development of social creativity . And in the passage by the virtual technique the effectiveness and cultural policy that will decide the fate of democracy. As stated Filippo De Sanctis, a large manufacturer Fabio Masala sector with the Film Library, "The goal of a collective exercise processes information is not technologically you utopian, impractical or socially: it is politically and culturally difficult. "That's it, you might add.

institution that thinks otherwise

repeat the question, there will be a film library as they had dreamed of the founders ? must believe optimistically that there will be. But it is difficult to imagine. As has been said you can not see a political dimension of planning . I can not intangible ginare in which instance or manifestation of current policy, see that investment in the construction of confidence, widespread and participatory democratic life and the economy. There must be still in our accounts, that agent outside of essential stimulus, which was the Humane Society. That way of "thinking differently", by non-governmental institution that has experienced examples and prototypes, and has interacted well with the public body shall not liable to disappear.

power, nothing less than the power

We see movements in the field that does not promise anything Buo not. They seem to signal a kind of infatuation with the words {not enough to say the film library), and isolation from the totality of the cultural politics of education as we discussed, areas of expertise. It would bad if they were made in the name of Fabio Masala. It has been said of the indissoluble link of audiovisual ace associations, training. No time to modern delete them from a cultural policy just as they had imagined born in the future, the great founders. It must also be said of reason that Fabio Masala aversion felt for specialists and sectors.

Vale Fabio Masala what he said, in 1990, on Filippo De Sanctis. He emphasized, with particular reference to the further mo period of professional work of De Sanctis, its not shut himself in the special and then not even in film and television . And picking out the choice of addressing the broader new public "includes" the book (public and libraries), music, museums, theater, poetry (Prato Project). shut themselves up in the special, said Fabio Masala citing Asi mov, "would entail the consequence to achieve a perfect ignorance of all that exists in the world except for a very limited section of nothing. "Another significant phrase, not only the wide cultural interests, but also references to ethical Fabio - still about the Focus - it took from Simon Weil the Notebooks: "If on any subject you know too much things, knowledge turns into ignorance, or knowledge should rise to another". "

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Hanno aderito in queste ore

were received acceptances of the two directors Ermanno Olmi and Riccardo Milani .

We thank them for their support.

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L'IRRE Sardegna, Agenzia nazionale per lo sviluppo dell’autonomia scolastica e la SOCIETÀ UMANITARIA:

We offer a testimony of Gabriella Lanero and Gian Piero Liori the relationship that developed between the two parties in the past, in relation to National Plan for the dissemination of film language and audiovisual in the school. The Friends of the Film Library Sarda thank them for their important contribution to the debate and deepening of the role that the Humane Society has served in education, also in synergy with the institutional training agencies.

Download the contribution of the IRR in PDF format (81 kb)

Certificate Of Deposit Rates

Pagine di cinema in bianco e nero - Rassegna cinema a Monte Claro

PROVINCIA DI CAGLIARI
PROVINCIA DE CASTEDDU
Assessorato alla Cultura, Identità, Spettacolo e Sport

BIBLIOTECA PROVINCIALE DI CAGLIARI

SOCIETÀ UMANITARIA - CINETECA SARDA di CAGLIARI

presentano

La Biblioteca va al Parco

PAGES OF CINEMA IN BLACK AND WHITE
Masterpieces of literature on screen

Parco di Monte Claro
Piazzetta della Cappella di Santa Maria Chiara
(left lane of fountain)

21.00

Thursday, July 17, 2008
Trip to the Moon by Georges Méliès (France, 1902)
the novels of Jules Verne
ASH Febo Mari, Arturo Ambrosio (Italy, 1916)
novel by Grazia Deledda

Thursday, July 24, 2008
Little Women by George Cukor (USA, 1933)
From the novel by Louise M. Alcott

Thursday, July 31, 2008
WRATH John Ford (USA, 1940)
From the novel by John Steinbeck

Thursday, August 7, 2008
The Betrothed Mario Camerini (Italy, 1941) From the novel
di Alessandro Manzoni

Giovedì 21 agosto 2008
IL GRANDE SONNO di Howard Hawks (Usa, 1946)
Dal romanzo di Raymond Chandler

Giovedì 28 agosto 2008
IL TERZO UOMO di Carol Reed (Gran Bretagna, 1949)
Dal romanzo di Graham Greene

Giovedì 4 settembre 2008
OTELLO di Orson Welles (USA, Francia, 1949-52)
Dal dramma di William Shakespeare

Thursday, September 11, 2008
TERESA Raquin by Marcel Carné (Italy, France, 1953)
From the novel by Emile Zola

Thursday, September 18, 2008
White Nights of Luchino Visconti (Italy, 1957)
From the novel by Fyodor Dostoevsky Mihajlovic

Information:

Provincial Library of Cagliari
Vico S. XIV John, 8 / 12

Tel 070 4092901 Email: biblioteca@provincia.cagliari.it
Site: www.provincia.cagliari.it

Humane Society - Cinematheque
Sarda Cagliari Viale Trieste, 118 070 Tel
275271-070
280 367 Email: umanitaria.ca @ tiscali.it

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Incontro sulla Cineteca Sarda - Comunicato stampa del Gruppo S.A:

Regional Council of Sardinia
XIII LEGISLATURE
Group SA - RANGE LEFT

Press

Cagliari was held yesterday in the debate, at the student's home in Via Trentino, entitled "What future for the film library Sardinian? " organized by the group left in the Regional Autonomy.
Participation and numerous interventions, even critical, to the modes of implementing the Law on Regional cinema represent the signal of a request to participate in fundamental decisions affecting the life, including social and cultural life of our island that can not be underestimated , let alone ignored. The history of
Humane Society and, in particular, the Film Library of Sardinia is a part of the history of emancipation many Sardinians. The tangible and intangible heritage of many years of social work can not and should not be cleared.
In the spirit of those who want to preserve the continuity of a public service in the true sense of the term, many voiced strong concerns about the future of the Film Library of the Sardinian
Humane Society.
We believe that there is still time and space to resume a dialogue that seemed finished.
We believe that Councillor Maria Antonietta Mongiu will take in positive moods and concerns emerged to reach, as soon as possible to a solution of the problem.
The Region has a duty of the experience of the Film Archive for the Sardinian regional constitution of the Foundation, only in this way can be perceived as public property of all.

Cagliari, July 11 08

Paola Lanzi President of the Left Autonomist ;

Salvatore Serra
Regional Director of the PDCI

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Ecco l'elenco dei primi 1160 firmatari

You can download the pdf file with a list of the first signatories of the 1160 petition . Currently, the petitioners are many more and we shall complete the list to be viewed in the coming days.
Here's the link: Download the file

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Quale futuro per la Cineteca sarda? - Giovedì 10 meeting of Cagliari all'ERSU

Plan Left group in the Regional Autonomy

WHAT FUTURE FOR THE FILM LIBRARY SARDA?

Thursday, July 10 - 17:30
ERSU - Hall Cosseddu
Cagliari Via Trentino-

involved

MARIE ANTOINETTE MONGIU
Regional Councillor Education

PAOLA LANZI
Parent Left autonomy in the Regional Council

SALVATORE SERRA
Regional Council PDCI

AMOS NANNINI
President Humane Society

ANTIOCO FLORIS
professor of cinema, University of Cagliari

MARCO Asuncion
National President FICC

part
The President of the Region
Renato Soru

Article. 14 of Law 15/2006 provides for the establishment of the Foundation "Sardinian Regional Film Archive" in order to facilitate the acquisition, cataloging, study and research, use for cultural and educational film heritage and audiovisual, and the preservation and dissemination of films of regional interest. What function and role attributed to the Humane Society of Film Library Sarda?

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Peter Clemente and The Film Archive Film Archive Sardinian

Dear friends,

your appeal and the reference to the date of birth Sardinian Cinematheque (1966) reminds me inevitably to the early 60s, in particular to 1963 and 64 I worked with Fabio Masala, and participated in the work of the Humane Society, with placements in Meina and Sardinia. I remember that job 'founder' of culture, even as a work in which I was being established myself as a 'man of culture'. It was a theme that Fabio was very Masala, to start working in a cultural group that deprive us aspiring intellectual air of privilege or the smell of the academy. Jokes on Stage, the ability of management techniques (the sender), to the performances (to read cards and other novels) to stand in groups in a balanced way, not to be too individualistic and the sense of the public use culture have been crucial for the generation that was then 'made' the '68 and created the cultural circles, networks still sono vive. Anche nella sezione del PSI di Cagliari e poi del PSIUP con Fabio ci caricavamo il proiettore a 16 mm pesantissimo per proiettare Il ferroviere di Germi, o ci addestravamo a leggere brani di libri di letteratura a sfondo sociale che leggevamo nei circoli di lettura. Facevamo un lavoro di base, con un linguaggio non elitario mirato alla cultura come patrimonio collettivo. Il proiettore talora non funzionava, ci mancava la lampadina di riserva, e dopo aver fatto 'speakeraggio' con una Cinquecento e avere raccolto un po' di giovani non certo avvezzi agli incontri culturali dovevamo spiegare che il film non ci sarebbe stato. Talaltra la nostra insistenza per il dibattito incontrava resistenze 'pre-morettiane'. Ma facevamo quello che ancora oggi è il nucleo della formazione culturale di massa, cercare la gente dove vive e coinvolgerla nei processi culturali che schivano i luoghi di frontiera e la gente comune, per cercare riflettori, bravi presentatori, e televisioni.

Fabio Masala riuscì poi con la Cineteca Sarda a creare un servizio culturale diffuso, che nasceva da quelle esperienze fondative, ma che si basava proprio sul lavoro capillare di 'organizzatori di cultura'.

Ho scarsa considerazione dei processi che nascono dall'alto, da gente molto pagata, che ha magari entrature mediatiche, che sfoggiano supertecnologie e nascondono nuove forme di privilegio se non la mercantilizzazione e spettacolarizzazione (Aestheticization) of the sphere of culture. The culture has long been flooded with good presenters and polemicists narcissists who proclaim their own indispensability.

year the ICOM - Italy and the Conference's national museum associations have made a strong appeal, almost dramatic, exhibitions against major 'blockbuster' without research and with great tourism appeal, condemning to silence the museums and cultural work of research, made by skilled mediators and supported by advisors with a desire for visibility. He raised the role of culture of the organization stable against the ephemeral, considered desertificanti exhibitions, which reflect a deposit and then take away billions to public networks minute and local museums, schools, local associations. Statistics leave many feet have crossed a threshold where the goal was to fetishize a few objects or works of the Louvre, or smuggle a work culture where there were only 'masterpieces', uncritical or objects that are important because they are announced with much publicity organized for-profit.

I believe that we must take the cultural battle against the management of culture by politicians, managers, not by specialists, against the great centralizing architectures and pharaonic projects, against the extension of the concept of spectacular high-quality production Public events cultural, culture to serve the public, and managed by those who do research and not by who is the best advertising slogans. I'm living in Tuscany, dramatically, these phenomena, because it is an active advocate a left historically linked to this territory, but strongly transformed by the media management of politics and culture.

I am busy for several years on the front of ethnographic museums, and chairs the national association of museums and demo-ethno-anthropological heritage (Simbdea) in this paper I have rediscovered the importance of 'organization culture' and I started back to work with Fabio Masala: in the sense that museums are all film, TV, read the story, historical memory, poses problems to expand access, they must win the public, especially young people, communicate with schools, etc ... I've rediscovered issues such as civil society, the work from below for democracy, the new concepts of community , also mediated by the Internet, the cultural isolation of many social actors (young people, immigrants, older women ...), the subjective need and importance of collective 'each tell his story' and do not always tell the same stories of the few who have access to TV and publishing market.

What do I say that the type of work I did with Fabio Masala to the origins of the Cinematheque Sarda, change techniques and cultural spaces, is still indispensable. This year I decided to describe the work of the local museum with a cell phone image from Naples in recent years, and the educational practices of border cities in Latin America, full of children who escaped or were orphaned, that of 'master' of the road, you search for students and that shapes his work as a cultural achievement from an encounter with them. A museum 'master of the road' does not point to the signature of a great architect, but a tenacious research, dialogue with technology, discovery of local cultures (and the young 'You Tube') that things often do artists contemporaries to understand how the world is changing.

I think a lot about this job and I am convinced that the Film Library of Sardinia is made of this kind of work 'embedded' in a social memory that would be useful to reactivate, which has a potential for constant updates (it has always been a feature) , and 'organization culture'. It's really not that much time working with you, except for some occasional encounter but I have always confirmed the idea of \u200b\u200ba 'heritage' of knowledge, practices, documents unavoidable. So I can not give full support and motivated about things that do not know, but I'll do with enthusiasm as part of a common history of the organization's culture in dialogue with civil society, in the belief che quel modo che ha formato me è ancora valido nella formazione diffusa e capillare oggi, nell'uso sociale partecipato dei beni culturali e del patrimonio culturale di cui parlano le nostre leggi .

Forza Paris

 

Pietro Clemente

 

Rangefinder With Slope Worth It

Friuli supports the Cinematheque Sarda

Cari Amici della Cineteca Sarda,

       

fully endorse the call to save your historic and prestigious institution known for decades and which have always worked.

Here in Friuli Venezia Giulia we ran a similar risk to your why, at times, it seemed that was to prevail, the activity and on national and international reports conducted since 1977 by the Film Library of Friuli, logic of development of the Regional Film Archive (proved from the beginning, in 1984, inefficient).

In 2006, the new law on regional cinema FVG strongly supported and shared by all the regional film world on the proposal of the Piero Colussi, officially recognized the role of the Film Library of Friuli (that is also borne by the design and construction with regional fund Film Archives of Friuli Venezia Giulia in which will be sited and properly preserved on film all the funds in the territory of Friuli Venezia Giulia and the Veneto).

Our stories are very similar and therefore we are therefore at your disposal for advice, exchange of documents (conventions and regulations) and whatever is necessary to put at the heart of Archival of your film library that Sardinia is the FIAF, the International Federation of Film Archives, recognized since 1996.

With warm regards,

Livio Jacob

Director

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Our "Banquet"

Some structures of the Cinematheque Sarda friends have offered their spaces for the collection of related to the petition signatures . Are listed below, as more offers of support, and mentioned in the map below. Clicking on the blue signs you can find out more information.

Film Oristanese

at Centro Cultural Services UNLA Oristano

Via Carpaccio No 9 - Oristano

Film Culture Centre, Space Odyssey
Viale Trieste No 84 - Cagliari

Library Murru

Via San Benedetto No. 12 C - Cagliari

Cueca Library (Faculty of Arts entry)

Mirrionis Via Is No. 1 - Cagliari

Library Fahrenheit 451

Basilicata Via n ° 57 - Cagliari

Cinema Greenwich

No. 55th Street Sassari - Cagliari

Library

Tiziano Via Tiziano n ° 15 - Cagliari

Library Bastion Square

Constitution # 4 - Cagliari

Babel Library (opposite Post Office)

Logudoro Street No. 38 - Cagliari

Provincial Library

Vicolo San Giovanni XIV n 8 / 12 - Cagliari

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Advent Medical Negligence Insurance

Reporting - Emergency Appeal for the Humanitarian

From Sardinia Radio :

The Cinematheque Sarda / Humane Society was suddenly pushed away from the regional project for the creation of an institution dedicated to archiving and dissemination of knowledge of cinema in Sardinia. Initially, there has been a prior agreement founding act, dated September 2006, when it was clear the decision of the Sardinian Regional Council to encourage the establishment of the Foundation " Sardinian Regional Film Archive," recognizing the importance of ' activities of Cinematheque Sarda ....

(read the full article)

Sardinia Radio has also produced three interviews, which we represent:

Lia Careddu


Antonio Zanda


Joseph Pilleri

Punk Skater Birthday Supplies

Cinematheque Sarda (video)

Letter Of Community Service Hours Completed

have already joined

Adesioni provenienti dalla penisola e dalla Sardegna.

FUORI SARDEGNA:

Vittorio De Seta , regista

Dario Fo , regista teatrale e premio nobel per la letteratura

Tonino Guerra , sceneggiatore, poeta e narratore

Carlo Lizzani , regista

Ugo Gregoretti , regista

Mimmo Calopresti , regista e presidente Archivio Audiovisivo del Movimento Operaio e Democratico

Giuseppe Bertolucci , regista e presidente della Cineteca di Bologna

Daniele Segre, director Francesco Maselli

, director Ermanno Olmi

, director

Piavoli Franco, director

Riccardo Milani, director

Silvano Agosti, director

Edward Winspeare , director

Beppe Gaudino, director

Isabella Sandri, director

Franco Angeli, editor

Massimo Sani, director and member of the Executive Council of ANAC - National Association of Filmmakers

Sandro Lai , RAI director

Fregonese Patrick, director

Homer Antonutti , actor

Unless Genovesi, actor

Morando Morandini, film critic Paolo Mereghetti

, film critic

Sergio Grmek Germani , film critic Sebastian Jesus

, film critic and film historian University of Catania

Steve Della Casa, film critic and chairman of the Film Commission Torino Piemonte

Gianni Canova, film critic and historian cinema IULM Milan

Enrico Ghezzi, RAI After Hours

Ciro Giorgini, RAI After Hours

Antonio Costa, University of Venice film historian Adriano

Aprà , film historian Tor Vergata University of Rome, former director of the National Film

Alberto Barbera, director of the National Museum of Cinema in Turin

Livio Jacob, director of the Cinematheque Friuli

Luisa Comencini , Cineteca Italian

Mario Musumeci, Office National Film restoration

Frank Farina , Of the National Film Archiviofilm

Fulvio Baglivi , Archiviofilm of the National Film, RAI After Hours

Viridiana Rotondi, National Film

Laura Ceccarelli, Head of Funds and preservation of archival materials, Biblioteca Luigi Chiarini

Susanna Zirizzotti , National Film

Maria Coletti, National Film

Daniela Bendoni , costume designer and painter

Mauro Bulgarelli, a former senator

SARDINIA:

Enrico Pau, director

Pitzianti Henry, director

Giovanni Columbu , director

Simone Contu, director

Marco Antonio Pani , director Peter

Marcias , director

John Coda, director

Federico De Virgiliis , director

Tomaso Mannoni, director

Bepi Vigna, director and writer David

Mocci , director

Sardu Salvatore, director

Guido Costa, director

Antonio Carboni, director and cultural worker UNLA

Francesco Casu, director

Emanuela Cau, director Marco

Gallus, director

Pier Francesco Loche , actor

Fausto Siddi, actor James

Casti , actor

Antonia Iaccarino, screenwriter

Cubeddu Salvatore, director and writer Gabriele

Lasio , designer Gianni

Olla, film critic

Sergio Naitza , film critic

Elizabeth Randaccio , film critic

Antiochus Floris, film historian University of Cagliari

David Brown, film historian University of Cagliari

Lucia Cardone , film historian University of Sassari

Elena Ledda, musician

Mauro Palmas, musician and author of the soundtrack of "Cain"

Gavino Murgia, musician

Since the list is very long report only those whose work has or has had to deal with cinema.

The following list will be updated daily with the other brands that reach us every day. Tell us about forgetfulness and new members.

Tall Mens Lounge Pants

A PETITION SUPPORT THE FILM LIBRARY

To join the petition, simply leave a comment (as specified name, surname , profession or group membership and city where you work) in line with the text of this post. To do this, simply click on the "Post a comment .

the President of the Council of the Autonomous Region of Sardinia, Renato Soru

the President of the Regional Council, Mr James Spissu

and pc to the leaders of the Regional Council Sardo

the President of the Humane Society, Dr. Amos Nannini

• associations of cinema and culture associations cultural education:
• The Regional Center of the FICC Sardo (Italian Federation of Film Societies)
• The Film FEDIC (Italian Federation Cineamatori), Cagliari
• L ' ARCI-UCCA , (Union of Film ARCI), prov. Cagliari
• The MCE (Movement for Educational Cooperation), Sardinia
• The CIDI (Centre for Democratic Initiative of Teachers), Cagliari
• LEND (New Language and Teaching)
• Subscribers listed

Signatories welcomed the decision of the Sardinian regional government to promote the establishment of the Foundation "Sardinian Regional Film Archive," taken with the art. 14 of Regional Law 15 of September 20, 2006, and were grateful that the text of the law had recognized the importance of that for over 40 years the Film Society of Sarda Humanitarian place in Sardinia.

But after the Balance Foundation, approved December 20, 2007, does not recognize and does not result in a clear and defined the role of Service Centre Cultural Humanitarian Society of Cagliari.

In this context, the petitioners note with concern that some cultural and political - well certainly merit being implemented to offer the public an immense amount of visual material, such as Sardinia Digital Library and some projects recently announced, regarding the creation of new cultural institutions - seem to ignore, with an incomprehensible lack of historical memory and in contradiction with the same intentions of the draft Audiovisual Documentation Centre ( det. 834 of 26 April 2006 ), the work carried out in Sardinia from the Company's Film Library Sarda Humanitarian assistance since 1966.

Sarda The Cinematheque has been and remains a vital partner for anyone who has chosen to engage in Sardinia, in all places, on the field of training and organization of the public, the use of audiovisual training, with strenuous work and aimed at the widespread growth of the culture - not just film - in a democratic sense.

Openness to dialogue with the local associations throughout the area and the free offer and continues not only to audio-visual material, but also training in terms of methodology, as well as technical, have always characterized the work of Cineteca sarda e dei Centri culturali della Società Umanitaria in Sardegna.

Tale lavoro ha portato peraltro riconoscimento e stima a livello sia nazionale che internazionale, come mostrano la collaborazione costante con le Cineteche italiane e la presenza della Cineteca Sarda nella FIAF (International Federation of Film Archives).

Il patrimonio audiovisivo, le competenze, le professionalità, le sensibilità che negli anni i Centri di Servizi Culturali della Società Umanitaria hanno formato, sia nel proprio interno che nell'associazionismo di base, costituiscono un bene pubblico che deve essere riconosciuto, difeso e potenziato .

Pertanto, i firmatari del documento auspicano:

- che la Regione si impegni per la costituzione - prevista dalla legge - di una fondazione mista pubblico-privato, per garantire, attraverso l'indispensabile coinvolgimento della Società Umanitaria, il potenziamento e il radicamento di quel servizio pubblico che la 'Cineteca Sarda' ha fino ad oggi offerto ad associazioni, scuole, biblioteche, università e a tutti e tutte coloro che hanno operato con gli audiovisivi per contribuire alla crescita culturale della Sardegna.

- that the Humane Society of Milan is committed to this historical experience and materials resulted in the Sardinian Cinematheque is translated into the "Sardinian Regional Film Library," and take the necessary steps to find the Region Sardinia is ground for discussion and mediation that will lead to the creation of a public film archive, accessible and free for all.

To: Signatures

The Sardinian Regional Center of the FICC , Luigi Zara

The Film FEDIC Cagliari, Widmar Roman

ARCI-UCCA prov. Cagliari, Alessia Camedda

The MCE Sardinia Rinaldo Rizzi

The CIDI Cagliari, Rosamaria May

LEND Maria Rosa Giannalia